Pride and Prejudice - Analytical Essay - 1023 Words

Analytical Essay: Pride Prejudice The progress between Elizabeth’s and Darcy’s relationship, in Jane Austen’s novel Pride and Prejudice (1813) illustrates and explores several the key themes in the novel. Their relationship highlights class expectations, pride and prejudice, and marriage, and how they play a major role in determining the course of their association. These are outlined through their first prejudiced dislike of each other when they first meet, the stronger feelings for Elizabeth that develop on Darcy’s side, her rejection in Darcy’s first proposal, then her change of opinion and lastly the mutual love they form for one another. Pride and Prejudice is set up as a satire, commenting on human idiocy, and Jane Austen†¦show more content†¦To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness. Of this she was perfectly unaware; to her he was only the man who made himself agreeable nowhere, and who had not thought her handsome enough to dance with.† This introduces his growing affections for Elizabeth, with stronger feelings developing on his side. His prejudice and some of the class expectation have disappeared. Darcy wants to know more about Elizabeth, to be able to converse with her, by listening to her discussion with others. Much later his feelings for her have grown very strong and he builds up the courage to tell her. Darcy says In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you. He then proceeds to propose to her, but Elizabeth rejects him, and he angrily says â€Å"And this is all theShow MoreRelatedTableau Analytical Essay . The Harlem Renaissa nce Was A1351 Words   |  6 PagesTableau Analytical Essay The Harlem Renaissance was a turning point for the United States as a whole, but more importantly African American Culture. African Americans in the United States became more prominent and involved in society. Culturally and artistically African Americans began to thrive as they began to fully express themselves and become more involved in American society. Countee Cullen, an African American, was apart of the artistic movement. Through his writing Cullen exemplified theRead MoreFeminist Undertones in Pride and Prejudice2078 Words   |  9 PagesFEMINIST UNDERTONES IN ‘PRIDE AND PREJUDICE’ Introduction Jane Austen authored the novel ‘Pride and Prejudice’ in 1813, a period in the social history of England that saw most women as best equipped for the private and domestic realm. An ideal woman was the picture of chastity, innocence and compliancy. Even women authors in this period were expected to adhere to genres that were considered to be solely their domain- the refined arts, householdRead MoreWestern Ethnocentrism Is A Major Reason For Divisions Amongst Members Of Different Ethnicities Races And Religious Groups1439 Words   |  6 Pagesreligious groups in society. According to Merriam-Webster dictionary ethnocentric individuals believe that the are better then other individuals for reasons based solely on their heritage, this practice is related to problems of both racism and prejudice. 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Describe their weapon system like a point of pride. Macho male attitude (we will protect you ripley) Vasquez holding big macho men gun. Takes point or goes first. Unusual for a woman. Front of the group leading. Marines implemented by exo suits-cyborg technology Hicks is last to enter. GoesRead MoreThe Importance Of Interviewing Members Of The Lgbt Community Essay2355 Words   |  10 Pagesthere with that guy, he might knock my head off.† Forms of dress, interactions and mannerisms are all things that he would have altered in order to appear as less of a target in public. Conversely, Nikki also changed the way she dressed when leaving Pride events so as to avoid appearing outwardly gay. She spoke about how before leaving she would change into an alternate set of clothing, removing her rainbow’s and bright colours, taking off the face paint and rolling up the flags to hide away in herRead MoreKaren Horney : Pioneer Of Feminine Psychology By Susan Tyler Hitchcock3647 Words   |  15 Pagesapproach was considered unorthodox. She was recognized and given a position at the Berlin Psychoanalytic Society. In 1926, a Festschrift, a book composed of leading psychoanalysts was composed to honor Freud. The essay written by Horney was â€Å"The Flight from Womanhood.† The essay was a clever tactful way of Horney provoking the concept of Freud’s â€Å"penis envy† theory. 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Esther’S Madness Is Presented As A Consequence Of Her...

Esther’s madness is presented as a consequence of her rebellion against the archetypes of gender roles, which she is surrounded by in the novel. Chodorow argues that, in our subjective understanding of gender relations, individuals ‘create new meanings in terms of their own unique biographies.’ Chodorow’s argument is evident in how Esther understands gender relations through her experience with Buddy Willard. His mother believes that ‘what a man is is an arrow into the future and what a woman is is the place the arrow shoots off from’ (Plath, 67). In the juxtaposition of a place and an arrow, the woman is presented as a constant and a base which enables the man to progress. Esther’s awareness of this outlook and her rejection of it allows†¦show more content†¦Therefore, madness is presented as the only rebellion Esther can take, by allowing her distance from the gender binary which runs through the novel, leading to the romantic isation of suicide as the only way to escape the archetypal female role. In the romanticisation of Tony, and Natalie’s rejection of reality, madness is portrayed as a successful rebellion against society. Rubenstein acknowledges the ambiguous nature of Tony, to argue that Natalie ‘fantasizes a secret female companion named Tony, who may be understood as her braver, more self-sufficient alter ego.’ This interpretation of Tony allows for the claim that she encompasses Natalie’s madness and assists in further fragmenting her psyche from reality. In Tony’s company, Natalie portrays herself as ‘running not from fear, but because it was early morning and they were together’ (Jackson, 182). This romanticises Natalie and Tony’s alienation from their peers as providing companionship through their shared sense of consciousness, rather than worsening mental health being an isolating experience. This allows for Natalie’s madness to worsen, as Tony’s presence encourages her to resist normality. Tonyâ €™s functioning as a resistance against reality is further evident in the depiction that, ‘irresistibly Natalie found herself moving toward the lake, with a human impulse to get to the edge of the world and stop, but Tony took her arm and said, â€Å"This way†Ã¢â‚¬â„¢ (Jackson, 207). This depiction can be interpreted as Tony,

Zimbabwe Ruins free essay sample

Known as the place of the Sun People, the Great Zimbabwe Ruins have long been attributed to a Lost Civilisation who, according to High Sanusi Credo Mutwa, were a remnant of a sophisticated seafaring civilization. Lying in the interior of tropical southern Africa are hundreds of stone ruins Zimbabwe has the greatest concentration of prehistoric rock art in the world; fine paintings of animals and people in everyday life, ritual and myth, are scattered about the granite formations that pepper the country, seen most easily at Matopos Hills. The stone ruins from the ancient states that once held domain on this great plateau – Great Zimbabwe is just the best known of several hundred complexes. The largest of them, situated near Masvingo (previously called Fort Victoria), were known in the 16th century as Symbaoe; later they were called the Zimbabwe Ruins. They consist of a fortress on a hill, nicknamed the Acropolis, and an elliptical temple now referred to as Great Zimbabwe. All buildings were unroofed, and were constructed using dry-stone walling techniques, i. e. ithout any cement or mortar, meaning that the granite bricks had to be carefully shaped and trimmed so as to fit together like a jigsaw puzzle. The Great Zimbabwe Ruins are some of the largest and most ancient structures in sub-Saharan Africa. Estimates are that the city housed as many as 18,000 inhabitants at its peak. Built entirely of stone, the main ruins span more than 7km2. Its all in the name †¦ In the first theory, the word Zimbabwe could be a short form for ziimba remabwe or ziimba rebwe, a Shona (dialect: chiKaranga) term, which means the great or big house built of stone boulders. In the Karanga dialect of the Shona language, imba means a house or a building and ziimba, or zimba, mean a huge/big building or house. The word bwe or ibwe (singular, plural being mabwe) in the Karanga dialect means a stone boulder. Thus, a linguistic analysis of the word Zimbabwe clearly indicates that the origin of the word refers to the ancient city of Great Zimbabwe whose huge buildings were built of stone boulders. The Karanga-speaking Shona people are found around Great Zimbabwe in the odern-day province of Masvingo and have been known to have inhabited the region since the building of this ancient city. A second theory is that Zimbabwe is a contracted form of dzimba woye which means venerated houses in the Zezuru dialect of the Shona language. This term is usually reserved for chiefs houses or graves. It should also be noted that the Zezuru-speaking Shona people are found to the North-East of Great Zimbabwe, some 500 km away. A third theory is that Zimbabwe comes from the Shona dzimba dza mabwe meaning houses of stone, referring to the ruins of Great Zimbabwe Human culture goes back tens of thousands of years. Prehistoric contacts with southeast Africa It is beyond dispute that the Indian Ocean, including much of its African coastline, has been travelled for two thousand years or more. For instance, there is a record of Phoenicians circumnavigating Africa in about 600 BC. Evidence that a mass migration from the East Indies to Madagascar took place many centuries ago is provided by the relationship between Malay and a main language of that island. Arab traders were visiting Zanzibar and Dar-es-Salaam before the beginning of the Christian era, and around 60 AD the Periplus of the Erythraean Sea (in Greek) was compiled as a guide to East African, Arab and Indian sailors. In particular, it has been argued that the Fire Islands mentioned there, could well have been the volcanic Comoro group, because they are placed at the entrance to the Channel. The description in the Periplus continues further southwards, although names of rivers and harbours can no longer be identified with certainty. The gold of ancient Zimbabwe Many thousands of prehistoric gold-workings are scattered round the former territory of Southern Rhodesia over an area, in fact, similar to that containing the ruins. Some calculations indicate that more than 20 million ounces were extracted. Exploiters of such riches often prefer not to disclose their source, so it is quite credible that most of it ended up in the northern hemisphere. In fact, in the sixth century AD, Cosmas Indicopleustes of Alexandria referred to gold acquired by trade with southeast Africa (where winter occurred during northern hemisphere summer); so did Masudi and Ibn Al Wardy in the tenth century when it was apparently being exported from an Arab trading post at Sofala (on the coast, east of the Zimbabwe Ruins: the modern resort there still carries the old name). That gold could easily have been first detected in alluvial mud at the mouth of the Zambezi river, and perhaps also in the Sabi. Background Civilization in ancient Zimbabwe attained a level far superior to that of other areas occupied by Bantu-speaking peoples. Some walls were ten metres high; many incorporated chevron, herringbone or chequered patterns. A set of steps leading into the main temple constitutes a true work of art: each course curves out of the flanking walls into the entrance, with the penetration of the curves increasing as the steps are ascended. The city walls were constructed using dry-stone techniques, with granite stones being carefully shaped for a precise fit. The story goes that the thirteenth century mambo (king), was responsible for these famous mortarless walls. It was to him that the people paid tribute in stone and added bit-by-bit to the defensive structures. Consequently, the king was nicknamed the stone man and upon his death a spirit medium carved a stylised bird image out of stone. This has become a national symbol of modern day Zimbabwe and is seen in every roadside curio collection. The original seven carved birds excavated from the valley enclosures, can now be seen at the museum. The city consists of three distinct structural groups and was declared a World Heritage Site in 1986. The three complexes are: the Acropolis (or Hill Complex), the Valley Enclosures and the Great Enclosure. The Acropolis on the hill was the royal enclosure. In all probably this structure was built first and there is evidence suggesting that it was occupied for three hundred years The most prominent portion is the Great Enclosure and speculation has it that this was the royal harem, a fact that makes the structure all the more impressive, even if only amorally so. The inhabitants of early Zimbabwe were skilled water engineers, constructing dams feeding conduits and irrigation channels. Regularly spaced terraces, which can still be viewed today, were carved into hills in the northeast of Zimbabwe (where rainfall is comparatively high, making this region suitable for agriculture). The ancient gold mines, too, required a measure of engineering skill, containing horizontal as well as deep vertical shafts. Furnaces, crucibles and tools found at various sites indicate that the gold ornaments and jewellery accompanying them, were produced locally. Geography Great Zimbabwe has a nice moderate climate and fine fertile soil, with a habitable environment. The city is located in south eastern Africa between Botswana, Zambia and Mozambique. There are rivers flowing through Great Zimbabwe as well as caves with San paintings which are similar to cave paintings. There is an acropolis and the Hill complex. The Valley Enclosures and the Great Enclosures are also situated in Great Zimbabwe. The People The people of Great Zimbabwe were a tribe of Shona people. There were also Bantu people who were either Khoisan settlers or immigrants from Central Africa. Their religion was that they believed in two kinds of spirits Shave spirits and Vadzimu spirits. The Shave spirits are connected with neighboring people and the Vadzimu spirits are considered to be like ancestor spirits. The people also believed in good and bad spirits. The bad spirits have to do with witchcraft while the good spirits may inspire individual talents along with healing, music, or artistic ability. They believed that they could summon the spirits of their ancestors by doing something like witchcraft. They also did traditional dances. The highest of Great Zimbabwes walls soar 32 feet above the surrounding savanna. Structures and Buildings The magnificent structures were built by the Shona people of Great Zimbabwe. The Great Enclosure is the most impressive of all the stone buildings. All the stone structures in Great Zimbabwe were constructed with granite blocks and amazingly without the use of mortar. This complex of ruins from which the modern nation of Zimbabwe took its name is derived from the Shona word dzimba dza mabwe meaning houses of stone. There is an Upper Enclosure and a Lower Enclosure. The large stone walls were built for the king and also for defense. There were also stone monoliths (stone towers) in the Upper Enclosure. Each of the monoliths once bore a carved Zimbabwe bird, which symbolized power. Soapstone Birds In addition to architecture, Great Zimbabwes most famous works of art are the eight birds carved of soapstone that were found in its ruins. The birds surmount columns more than a yard tall and are themselves on average sixteen inches tall. The sculptures combine both human and avian elements, substituting human features like lips for a beak and five-toed feet for claws. Excavated at the turn of the century, it is known that six of the sculptures came from the Eastern Enclosure of the Hill complex, but unfortunately their precise arrangement can only be surmised. Scholars have suggested that the birds served as emblems of royal authority, perhaps representing the ancestors of Great Zimbabwes rulers. Although their precise significance is still unknown, these sculptures remain powerful symbols of rule in the modern era, adorning the flag of Zimbabwe as national emblems. Archaeologists In the 19th century, a young German archaeologist named Carl Mauch visited the ruins of Great Zimbabwe. In 1881, he was eager to find the fabled ruins of Ophir. During August, Carl Mauch met a German trader who told him of large stone ruins which he thought could not have been built by the blacks. A few months later, some local tribesmen led Mauch to the site. He was convinced that the ruins of Great Zimbabwe were not built by Africans. He said that the structures were great stone buildings with not even a single straight line in them. He also described I do not think that I am far wrong if I suppose that the ruin on top of the hill is a copy of Solomons temple or a copy of Queen of Sheba while she stayed there. In 1928, a British archaeologist called Gertrude Caton Thompson excavated the ruins of Great Zimbabwe, not believing that these stone buildings were built by Africans. The Great Enclosure This is a model of the Great Enclosure which lies 17 miles from Masvingo and is the remains of an extensive town that was built near 1200 AD. It has an outer layer that rises about 32 feet above its surrounding ground and nearly 17 feet thick at the bottom. Almost 1 million blocks of granite were used in its construction. History The civilization of Great Zimbabwe was a large Iron Age settlement that began around the 11th century and ended in the 16th century. In the 11th century, the Shona people established a small village on a hilltop. People originally got their wealth from cattle herding, but in the 12th century, the hilltop village discovered and started mining gold on the plateau which is now central Zimbabwe. During the 13th century, the hilltop village developed into a major gold trading centre. The village grew larger and into a city and its Shona rulers, profiting from the gold trade, raised a large army to expand their power and built complex stone structures that gave the city its name. By the 14th century, Great Zimbabwe had dominated a state north of the Limpopo River. When the 15th century began, Great Zimbabwe had about 10,000 to 20,000 inhabitants and was at its cultural height. In the early 16th century, the Europeans arrived for their desire of gold and demolished this trade.

Characters on the Fringe Are They More Intriguing free essay sample

An examination of literary characters who are regarded as outsiders shying away from the norms of society and a proposition by the author of this paper that it is this behavior that makes these characters so interesting. In this paper the author presents the idea that in literature, those who live on the fringe of society are often the most intriguing. In pursuing this idea, the author examines what he contends are three of the most notable ?outsider? characters in modern literature; John Steinbeck?s Cathy/Kate in ?East of Eden?; Albert Camus? Meursault in ?The Stranger?, and Septimus Smith in Virginia Woolf?s, ?Mrs. Dalloway?. From the paper: ?However, he clings to live at the end, remembering his mother?s ?fiance and her desire to start over again even at her old age. He finally opens himself up to the tender indifference of the world. For him to feel less alone, he wishes for a great many spectators at his execution, and that they greet him with cries of hate. We will write a custom essay sample on Characters on the Fringe: Are They More Intriguing? or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page For Meursault sees that in his isolation to the rest of the world that he certainly is guilty. For Camus, Meursault is the epitome of existentialism and the folly of humanity, and the absurdity of life.?

Film Analysis

â€Å"A History of Violence† is a 2005 American thriller movie that is based on a novel bearing the same name and it tells the story of Tom Stall (Viggo Mortensen), a restaurant owner in the small town of Millbrook, Indiana, who lives with his lawyer wife Edie (Maria Bello), son Jack (Ashton Holmes), and daughter Sarah (Heidi Hayes). Through the lives of these characters, the movie depicts that violence is in the blood of the family members.Advertising We will write a custom essay sample on Film Analysis – â€Å"A History of Violence† specifically for you for only $16.05 $11/page Learn More Stall is a mild-mannered man, popular resident of the town and he seems to know everyone by name. However, this faà §ade of normality is interrupted when he foils a vicious attempted theft at his restaurant by killing two-sought-after criminals in self-defense so as to protect his clients and friends. Heralded as a hero for his action, the life o f Stall never becomes the same again as he attracts countywide attention. The story then becomes a classic tale of an ordinary citizen trying to do his best to prevent the escalating incidences of crime in the country. However, a man in a sharp black suit, named Carl Fogarty (Ed Harris), soon pays him a visit and accuses him of crimes he did some years ago in Philadelphia. Carl Fogarty: his isn’t a completely dead eye, it still works a bit. The problem is, the only thing I can see with it is Joey Cusack, and it can see right through him†¦ right through your husband, Edie. I see what’s inside him, what makes him tick. He’s still the same guy. He’s still crazy fucking Joey! And you know it, don’t you? How much do you really know about your husband, Edie? Where he’s from, where he’s been, his life before he met you some 20 years ago? (The Internet Movie Database, 2010, introduction section). The allegations that Fogarty makes in the motel scene depicts that Stall has a long history of violence that he was trying to hide from. Violence was in his blood and he could not hide from it. More so, he was avoiding the media after his heroic act because he did not want his dark past to be exposed to the public.Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More According to Fogarty, Stall was in fact a criminal called Joey Cusack who had efficient skills in killing. Fogarty reminds him that they still have some unfinished businesses in Philadelphia. In spite of Stall’s persistent denial, these accusations strain his relationship with his family members. Stall’s dark background is exposed more when Fogarty and his men go to his home so as to insist on his going back to Philadelphia with them. However, Stall succeeds in murdering them in his yard using the same accuracy he used before to slay the other two criminals. Anoth er evidence that violence seems to start in the family is seen when Jack shoots at Fogarty and kills him instantly in defense of his father. After this second incident, Stall is admitted to the hospital and he confesses to his wife about his dark criminal past. He tells her that he is in fact Joey Cusack and that he had moved out from Philadelphia with the intention of starting a new life, free of criminal pursuits. The scene in which Stall’s brother, Richie Cusack (William Hurt), is killed also illustrates that violence is in the blood of the family members. Stall gets a call from his brother who also insists that he has to get back to Philadelphia since the other criminals he had mistreated there were prohibiting him from getting higher positions in the powerful criminal organization in the town. Stall offers to reconcile; however, Richie issues a command to his guards to murder him. Skilled in self-defense, Stall manages to overpower the men and to kill his brother togethe r with his men. This shows that indeed violence starts in the family. Richie, Stall’s brother, was a member of a powerful criminal organization in Philadelphia and since he wanted to gain more power in the group, he tried to compel his brother to return. It seems the family of the Cusack’s had a â€Å"history of violence† that is why they participated in so many criminal acts. Carl Fogarty seems to be aware of this: Carl Fogarty: Yeah? Well, why don’t you ask â€Å"Tom† about his older brotherAdvertising We will write a custom essay sample on Film Analysis – â€Å"A History of Violence† specifically for you for only $16.05 $11/page Learn More Ritchie in Philadelphia? Ask â€Å"Tom† how he once tried to rip my eye out with barbed wire. And ask him, Edie†¦ ask him how come he’s so good at killing people (The Internet Movie Database, 2010, introduction section). The revelation of the dark past of Stall also seems to affect the other members of his family, especially his teenage son, Jack Stall. Soon, Stall discovers that his son has opened a can of whoop-as on the people who are mistreating him. Jack’s unjust actions in school also reinforce the idea that the history of violence starts within the family. Jack may have started to do this because of his dad’s â€Å"violent genes† (nurture principle) that propelled his action. On the other hand, his dad’s bad example (nature principle) may also have set the precedence for his uncalled for behavior. The excerpt below of the dialogue between Jack and his father illustrates this: Tom Stall: In this family, we do not solve problems by hitting people! Jack Stall: No, in this family, we shoot them! [Tom slaps Jack] (The Internet Movie Database Inc., 2010, middle section). When Jack breaks the law in a later scene, the film’s director theme in portraying the history of violence within the fam ily becomes even more evident. It is interesting to note that Stall’s family did not attempt to dig deeper to find out more about his sordid past. This seems to imply that Tom had accustomed them to that way of life and they took it as a normal occurrence within the family. Only Tom’s wife was uncomfortable about the behavior of her husband. Jack and Sarah accepted the life that their father lived. This is seen in the diner scene when Tom arrives at his tension-filled house from the hospital and his children are the ones who took notice of him. In conclusion, â€Å"A History of Violence,† takes the stand that violence originates from the family. This is evident from the life of Tom, his brother Richie, as well as his son Jack. It seems that violence was in their blood.Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Reference List The Internet Movie Database Inc. (2010). Memorable quotes for A History of violence. Retrieved from https://www.imdb.com/title/tt0399146/quotes This essay on Film Analysis – â€Å"A History of Violence† was written and submitted by user Daphne Rush to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Ken Kesey, Novelist and Hero of 1960s Counterculture

Ken Kesey, Novelist and Hero of 1960s Counterculture Ken Kesey was an American writer who attained fame with his first novel, One Flew Over the Cuckoos Nest. He helped define the 1960s as both an innovative author and a flamboyant catalyst of the hippie movement. Fast Facts: Ken Kesey Born: September 17, 1935, in La Junta, ColoradoDied: November 10, 2001 in Eugene, OregonParents: Frederick A. Kesey and Geneva SmithSpouse: Norma Faye HaxbyChildren: Zane, Jed, Sunshine, and ShannonEducation: University of Oregon and Stanford UniversityMost Important Published Works: One Flew Over the Cuckoos Nest (1962), Sometimes a Great Notion (1964). Known For: In addition to being an influential author, he was the leader of the Merry Pranksters and helped launch the 1960s counterculture and hippie movement. Early Life Ken Kesey was born September 17, 1935, in La Junta, Colorado. His parents were farmers, and after his father served in World War II, the family moved to Springfield, Oregon. Growing up, Kesey spent much of his time in the outdoors, fishing, hunting, and camping with his father and brothers. He also became involved in sports, especially high school football and wrestling, exhibiting a fierce drive to succeed. He picked up a love of storytelling from his maternal grandmother and a love of reading from his father. As a child he read typical fare for American boys at the time, including western tales by Zane Grey and the Tarzan books of Edgar Rice Burroughs. He also became an ardent fan of comic books. Attending the University of Oregon, Kesey studied journalism and communications. He excelled as a collegiate wrestler as well as at writing. After graduating from college in 1957, he won a scholarship to a prestigious writing program at Stanford University. Kesey married his high school girlfriend, Fay Haxby, in 1956. The couple moved to California for Kesey to attend Stanford and fell into a lively crowd of artists and writers. Classmates of Kesey included writers Robert Stone and Larry McMurtry. Kesey, with his outgoing and competitive personality, was often the center of attention and the Kesey house in a neighborhood called Perry Lane became a popular gathering place for literary discussions and parties. The atmosphere at Stanford was inspiring. Teachers in the writing program included authors Frank OConnor, Wallace Stegner, and Malcolm Cowley. Kesey learned to experiment with his prose. He wrote a novel, Zoo, which was based on the bohemian residents of San Francisco. The novel was never published, but it was an important learning process for Kesey. To make extra money while in graduate school, Kesey became a paid subject in experiments studying the effects of drugs on the human mind. As part of the US Army studies, he was given psychedelic drugs, including lysergic acid diethylamide (LSD), and instructed to report on its effects. After ingesting the drugs and experiencing profound effects, Keseys writing was transformed, as was his personality. He became fascinated with the potential of psychoactive chemicals, and began experimenting with other substances. Success and Rebellion While working a part-time job as an attendant in a mental ward, Kesey was inspired to write what became his breakthrough novel, One Flew Over the Cuckoos Nest, published in 1962. One night, while taking peyote and observing patients in the mental ward, Kesey conceived the story of the inmates in a prison mental hospital. The narrator of his novel, the Native American Chief Broom, sees the world through a mental haze influenced by Keseys drug experiences. The protagonist, McMurphy, has feigned mental illness to avoid laboring on a prison work farm. Once inside the asylum, he finds himself subverting the rules imposed by the institutions rigid authority figure, Nurse Ratched. McMurphy became a classic American rebel character. A teacher from Stanford, Malcolm Cowley, had given him editorial advice, and with Cowleys guidance Kesey turned undisciplined prose, some of it written while under the influence of psychedelics, into a powerful novel. One Flew Over the Cuckoos Nest was published to positive reviews and Keseys career seemed assured. He wrote a another novel, Sometimes a Great Notion, the story of an Oregon logging family. It wasnt as successful, but by the time it was published Kesey had essentially moved beyond mere writing. The theme of rebellion vs. conformity became a central theme in both his writing and his life. The Merry Pranksters By 1964 he had gathered a collection of eccentric friends, dubbed the Merry Pranksters, who experimented with psychedelic drugs and multi-media art projects. That year, Kesey and the Pranksters traveled across America, from the West Coast to New York City, on a garishly painted converted school bus they named Further. (The name was originally misspelled as Furthur, and appears that way in some accounts.) Dressed in colorful patterned clothes, a few years before hippie fashion became widely known, they naturally attracted stares. That was the point. Kesey and his friends, which included Neal Cassady, the prototype for Dean Moriarity in Jack Kerouacs novel On the Road, delighted in shocking people. Merry Pranksters on Further, their fabled bus, in San Franciso, 1965. Getty Images Kesey had brought along a supply of LSD, which was still legal. When the bus was pulled over by the police on several occasions, the Pranksters explained they were filmmakers. The drug culture that would scandalize America was still a few years in the future, and the cops seemed to shrug off the Pranksters as something akin to eccentric circus performers. An official from the Smithsonian was quoted as saying it was not a typical bus, adding Its historical context is important for what it meant to the literary world of a certain generation. The original bus, the article noted, was at that time rusting away in an Oregon field. It never was acquired by the Smithsonian, though Kesey at times pranked reporters into believing he was preparing to drive it cross-country and present it to the museum. The Acid Tests Back on the West Coast in 1965, Kesey and the Pranksters organized a series of parties they called The Acid Tests. The events featured the ingestion of LSD, bizarre films and slide shows, and free-form rock music by a local band, which soon began calling itself the Grateful Dead. The events became notorious, as did a party at Keseys ranch in La Honda, California, which was attended by other counterculture heroes, including poet Allen Ginsberg and journalist Hunter S. Thompson. Kesey became the heroic main character of journalist Tom Wolfes deeply reported chronicle of the San Francisco hippie scene, The Electric Kool-Aid Acid Test. The Wolfe book solidified Keseys reputation as a leader of the burgeoning counterculture. And the basic pattern of the acid tests, exuberant parties with rampant drug use, rock music, and light shows, set a pattern which became standard in rock concerts for years. Kesey was arrested for possession of marijuana and briefly fled to Mexico to avoid going to jail. When he returned, he was sentenced to six months on a prison farm. Once released he backed off from active involvement in hippie adventures, settled with his wife and children in Oregon, and joined his relatives in the dairy business. Author Ken Kesey at a 1991 public reading. Getty Images   When the film of One Flew Over the Cuckoos Nest became a hit in 1975, Kesey objected to how it had been adapted. However, the film was wildly successful, sweeping the 1976 Oscars with five awards, including Best Picture. Despite Keseys refusal to even watch the film, it propelled him from his quiet life on an Oregon farm back into the public eye. Over time he began writing and publishing again. His later novels were not as successful as his first one, but he regularly attracted a devoted following at public appearances. As something of a hippie elder statesman, Kesey continued to write and give speeches until his death. Ken Kesey died in Eugene, Oregon, on November 10, 2001. His obituary in The New York Times called him the Pied Piper of the hippie era and a magnetic leader who had been a bridge between the Beat writers of the 1950s and the cultural movement that began in San Francisco in the mid-1960s and spread across the world. Sources: Lehmann-Haupt, Christopher. Ken Kesey, Author of Cuckoos Nest, Who Defined the Psychedelic Era, Dies at 66. New York Times, 11 November 2001, p. 46.Kesey, Ken. Gale Contextual Encyclopedia of American Literature, vol. 2, Gale, 2009, pp. 878-881. Gale Virtual Reference Library.Kesey, Ken. The Sixties in America Reference Library, edited by Sara Pendergast and Tom Pendergast, vol. 2: Biographies, UXL, 2005, pp. 118-126. Gale Virtual Reference Library.

Recruitment Policy Case Study Example | Topics and Well Written Essays - 1750 words

Recruitment Policy - Case Study Example The paper states that the human resource management’s recruitment policies must ensure high job applicant turnout. Hiring companies include in their recruitment policies that recruitment advertisements at graduate recruitment presentations or in notices placed at job centres must not include a â€Å"warts and all† policy. The absences of the Warts-and-all aspects during the recruitment process to delivery a realistic and message at the selection stage as a means of helping the companies attract and employ job candidates to establish the job applicants’ suitability for the jobs concerned. First, stating that the company will not hesitate to fire employees having lackluster job performances will create fear in the hearts of the faint-hearted job applicants. The absence of the warts-and-all statements will increase job applicant volume. The recruitment office must focus on the â€Å"suitor† approach over the â€Å"realistic or negative† in order to win the approval of the Job applicant. The company can show that current and prospective employees can have there are coffee or snack breaks in the morning and in the afternoon. Likewise, the company can offer a car plan to employees generating excellent or very satisfactory job performances. The company can offer rewards and promotions to employees constantly exceeding established monthly benchmarks. To increase the job applicant database, the negative or warts-and-all hiring policy must be included during the second phase of the recruitment process, the interview phase.